Kona solids

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For some reason, I had it in my head when she was really little that my daughter would be a tomboy.  She was very spunky and clever and agile at a young age. I didn’t put her in many dresses and ruffles, and I absolutely refused to put any of those ridiculous headbands on her little peach-fuzzed head.  I even dressed her as a ninja for her first (technically, second) Halloween. Trust me, it was fitting.

And yet I got ticked off if people asked me if she was a boy.  Yeah, I get it now.

Anyways, somewhere along the line, she decided she loved butterflies and “spinning” dresses and anything involving “beautiful colors.” Most specifically, pink and purple. What can I say?

I knew that Far, Far Away was for her.  And, thankfully, she loves finding the unicorns and snails and frogs in the different blocks.  She’s been pestering me for ages, any time she sees me sewing.  “Mama, are you making my quilt?”  Yes, my dear.  Yes. It’s finally done.

Becca's Big-Girl Quilt

The double gauze is a little tricky to work with. It really wants to distort in shape and fray a lot, so I handled it really gingerly and breathed a little easier once each piece was enclosed in a ring of Kona.  I used ten different solids for borders: violet, periwinkle, petal, lime, cactus, amber, peach, carnation, salmon, and melon.  Part of me thinks it was too busy, that I shouldn’t have used that many colors.  And maybe if I was making it for someone a little older, or as a lap quilt for my house, maybe it would have looked a little classier if I had toned it down. But somehow I think all the different colors work well for a little girl’s quilt.

Becca's Big-Girl Quilt

Sashing is Kona Cerise, which I am completely in love with.  It’s such a great, bold raspberry color.  Rebecca is tickled because she can’t quite decide if she should call it pink or purple.

Becca's Big-Girl Quilt

The back is mostly Kona Petal, which is a very pretty shade of pink that has a hint of purple to it as well.  I quilted it in my favorite loopy stipple, except I did a double-loop instead of a single one.  I saw Amanda Jean do it once, and I agree with her that it’s somehow a little fancier or more girly or frilly or something. But still playful.  And FAST!  There’s something about the motion of the loops instead of a “standard” stipple that feels so natural. I did the whole thing in a single sitting.

Becca's Big-Girl Quilt

The binding is Kona Cactus. I saw several other Far, Far Away quilts with the cerise and a kind of lime-green contrast, and thought it was so perfect.  Looking at the other solids I used, I didn’t want to do another shade of pink for the binding. I wanted some contrast, but the blues weren’t doing it for me.  Green was bright and it popped, a little something different and interesting. I love it.

Becca's Big-Girl Quilt

But nothing beats my sweet, sweet girl who bounced up and down when she saw it was finished.  “Mama! Is it done?!”  She immediately pulled it upstairs to put on her new bed.  Two nights later, as she cuddled up for our song before bed, she said out of nowhere, “thank you for my unicorn quilt, Mommy.”  You’re welcome, my Becca Bean.  You’re welcome.

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Big D

Included in the long list of things people love to ask moms twins, everyone always wants to know who was born first. I’m not sure why. What’s the fascination? They were born within moments of each other, does anyone think that makes such a difference in the “firstborn?”  That said, I’m not the kind of person who plans on hiding it from my kids if they want to know.

My son, Daniel, was born first. A whopping 45 seconds before his sister (they don’t mess around in the operating room!).  And so, for today, he gets the first post on his quilt.  Think that’ll cost me much in therapy later on?

Daniel’s quilt is primarily sock monkey prints, from Erin Michael’s various collections for Moda (5 Funky Monkeys, Goodnight Monkey, etc.).  I’ve been slowly collecting a bunch of them over the last year, and they all went into this quilt.  For good measure, I also threw in six coordinating Kona solids (buttercup, cornflower, tomato, school bus, grass, green tea).  The blocks are crazy nine-patches, made using this tutorial from Oh, Fransson.

Daniel's Big-Boy Quilt - front

It’s easy to follow and very forgiving. I started out with 10″ squares of fabric and had plenty of leeway in trimming them down to end up at 8″ (finished) blocks.  It goes really fast, making nine blocks at a time.  If you’re usually one to press seams to the side, however, this is one time when you’d benefit from pressing open.  Those last two cuts through the entire stack of fabric are a little tricky, and would be even worse with the extra thickness of side-pressed seams.

Daniel's Big-Boy Quilt - front detail

I sashed it in a great shade of blue (Kona Evening).  I was a little lazy when I basted it, though. I figured the top was “good enough” and didn’t iron it again before basting.  That was a stupid, rookie mistake, and I ended up with some annoying puckering when I quilted it. Not the end of the world, but it bugs me, for sure.

Daniel's Big-Boy Quilt - back

The back is mainly Kona Grass green, with a single strip of the remaining crazy nine-patches.  Quilting is intentionally wobbly vertical lines, roughly 1/2-3/4″ apart (I used my walking foot as a rough guide).

Daniel's Big-Boy Quilt - back detail

Anyways, I love it, and I love that my son loves it.  I love that it is fun and silly and appropriate for an almost-three-year-old, without being excessively babyish and something he’ll outgrow in style before he outgrows it in size.  I love seeing my big boy snuggled up underneath it. My Daniel / Dan / Mr. D / Big D (and, formerly, Señor Fussy-Pants).

Daniel's Big-Boy Quilt - label detail

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When my sister-in-law first asked me to make this quilt, she knew that the couple she was giving it to was moving across the country from Boston (where they had all gone to medical school together) to San Francisco.  I asked if she had any requests or ideas, and she said it might be nice if it could remind them a little bit of their time in Boston.

Visions of lobsters, baked beans, and novelty Red Sox prints ran through my mind, and I shuddered.  What would make a quilt say “Boston?” I mean, I’m sure there are some neat colonial designs out there, but that’s not really my cup of tea any more than fabric with sports logos on it.  So I sat and I sat and tried to think of something, and I procrastinated and put it off.  And then, unsurprisingly, inspiration came via Ashley.  Her “Postcards from the Park” quilt reminded me of something – Cobblestones.  It instantly reminded me of one of Boston’s most iconic neighborhoods, Beacon Hill.  I knew what to do.

Cobblestones

I had also been gathering a whole bunch of Hope Valley, which I admit to not loving at first, but it slowly grew on me.  And there was something about it that said “California” to me.  No, not in the sense of present-day Hollywood or Silicon Valley.  Something almost pioneer-like, about moving West for a new life.  Maybe I’m the only one, but it works in my head.

And so, we have these very subtly wonky bricks that remind me of those old, imperfect, bumpy streets and sidewalks here on the East Coast.  The wonkiness is more subtle than I had pictured it in my mind, almost to the point that I worry someone would just look at it and think, “can she just not sew quite right?”  But I’m happy with it, and I still think it gives it a softly (intentionally) imperfect feeling.

Cobblestones

There are 16 prints from Hope Valley in this quilt, and no fewer than 12 solids (13 if you count the sashing).  Because I’m the kind of person who would want to know these things, the solids are: zucchini, raisin, deep rose, sweet pea, teal blue, stone, plum, sage, rose, amber, moss, and eggplant (all Kona).  Sashing/border is Kona Snow.  I am on a HUGE solid kick right now, and have a new favorite color every day.

Cobblestones

The backing is Kona Stone, with a strip of bricks.  Again with the solid kick, especially with backings.  Be prepared to see a similar theme through the next few finishes.

Cobblestones

I was nervous to do it for the first time, but ultimately decided to go for large pebbling when I quilted it, and I’m glad I did.  I went through some frustration with running out of thread, regretting a cheap substitute, and needing a new needle before I thought I would. And when I first started, I worried that I was totally ruining the quilt by practically scribbling on it with thread.  But the effectiveness is in the whole picture, not in each individual pebble, and I do think I love it.

Cobblestones

My husband, of all people, gets credit for the scrappy binding.  I really wasn’t sure what to do, and he was the one who suggested bits and pieces. And wouldn’t you know, he was totally right. I love it, especially the way it looks against the back.

And so, it is finished.  Just in time for the wedding, just in time for Finished for Friday, and just barely under the gun for Amy’s Spring Quilt Festival. Wohoo!

The only sad part about always making quilts for other people is that I rarely get time to sit and savor the finished product.  That is most definitely the case with this one, as I took the photos at about 6AM, it goes with my husband to work this morning to make the handoff to his sister, and tonight it flies to the other side of the country.  And that’s why, even if I wasn’t blogging them, I’d have to take pictures of every quilt I make!

Cobblestones

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